1 (Ichiban) in order, one arrow at a time.The strength in the right-hand is used to release over the left hand. そのため、ラ行で始まる月にまつわる言葉もそう多くはありません。そういう意味で「朗月」は貴重な言葉だといえます。 月を表す言葉・単語⑩彎月（わんげつ）「弓型の月・弓張月の別名」 When moving back, one begins with Kamiza (higher) foot.Gripping the Yumi tightly so that Yugaeri does not happen.A Dozukuri that is inclined away from the Mato.A method of bowing where the upper body is bent forward 10 centimeters.The posture where both elbows are not stretched but form a circular shape.The part of the Yumi that is gripped. Also referred to as Shimohazu.A person who draws a Yumi and ignores the basics; concerned mainly with hitting the Mato.The part of the Ya on the side of the Yajiri.The left hand. (Haya and Otoya).When the left shoulder is higher.During Gyosha, the Yumi is not vertical when being drawn and is slanted backwards.The correct body posture when drawing the Yumi.The part of the Yumi that is gripped.A state of fullness at the moment of Hanare.The shape of the Yumi seen from the side-view the Tsuru has been stung. )The right hand returns in the direction of the Mato when relasing.Dozukuri that is leaning towards the mato.

Also referred to as Yunde.The place where the thread is wrapped on the side of the Hazu when fixing the Yabane to the No. Also referred to as Katte.The posture where seen from above, the soles of the feet, lower back and shoulders are aligned in one plane.Standing and facing forward of the center-line of the mato at Shai.When the Ya is drawn further even after the Yazuka has been fully drawn in Kai.A Kai in which the Yazuka is drawn, but without Tsumeia or Nobiai.The series of movement when drawing the Yumi.The method of Uchiokoshi starting from the side aslant Yugamae.The bamboo on the outside of Yumi when it is strung with a Tsuru.The cane wrapping that holds together the Todake, Uchidake and Shimosekiita.The point in which the Yumi and Ya intersect.The wooden pieces glued on the Uchidake side at both the upper and lower ends of the Yumi.When the Tsuru rotates to the back of the left hand in Hanare.The vertical line formed by legs, lower back, spine, vertebrae of the neck, and the horizontal line formed by both shoulders, arms, elbows, and fingers on both hands making up the Jumonji (Cross).The posture when sitting on the floor.A thread wound to fortify the Hazu to the Ya.Looking up and down on the central part of the Tsuru during Yugamae.A way of drawing the Yumi by pulling from the upper part of the Tsurumakura.A replacement Tsuru prepared for unexpected situations.A belt-shaped cloth for wrapping and storing the Yumi.Lining up the tip of the middle finger, ring finger and little finger on the left hand.A single Ya; either Haya or Otoya.Posture and movement in which nothing is wasted.A covering worn during Gyosha to guard the chest from Tsuru. Also referred to as Daisan.A Sharei in which each Ite shoots at their own Mato.Sharei which is performed with three people shooting at one mato (situations with two or four people are also possible).Cloth glove worn under the Yugake.Measuring the strength of a Yumi without nocking a Ya, or drawing the Yumi while warming up.When taking position in Shai, carrying out Yatsugae, and the Yumi while maintaining standing posture.Turning of the legs 90 degrees while in Kiza.The place where the thread is wrapped on the side of the Yajiri when fixing the Yabane to the No.